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Basics
and stages |
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Clay:
An earthly substance composed of various minerals. Can be found all over
the world. |

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Grog:
tiny bits of hard fired clay, looks like sand. |

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Slip:
liquid clay for: decoration, casting, and joining clay. |

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Plastic:
soft workable clay. |
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Leather
hard: half dry clay- this is the best stage to carve and fettle. The clay
item can be handled and worked on without leaving finger prints but is
soft enough to bend. |
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Bone
dry: very dry brittle and chalky clay. |
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Bisque:
once fired, unglazed clay. |

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Fire:
(to bisque) heat clay to a very high temperature -to harden it. |
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Reclaim:
to rework dry clay; to break it up, soak it, dry it, wedge it, use
it again. |

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Soluble:
capable of being dissolved in water. |
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| Shards: pieces of
broken pottery that has been fired. |
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Greenware:
dry,(bonedry) unfired clay projects that will be fired. |
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Pottery:
functional containers made of clay. |
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Stoneware:
coarse high-firing clay. Has lots of grog in it to make it rough. |
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Earthenware:
low firing clay about 1700 degrees. This is the clay we use in class. |
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Terra
cotta: red earthenware clay. Red flower pots are an example of terra
cotta. |

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Porcelain:
white, highest firing clay-very fine, slick clay. |
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Construction |
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Hand
building: pots which are made using only your hands and simple tools; no
machines or wheels. |
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Pinch:
pottery which is made by pinching clay between the thumb and forefinger. |

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Coil:
a rope of clay or pottery which is made by layering ropes of clay one on
top of each other. |

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Slab:
a flat piece of clay or pottery which is made from rolled out sheets of
clay. |

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Throwing:
working clay on the potters wheel. |

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Casting:
forming clay objects by pouring slip into a hallow plaster mold. |

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Score:
to rough-up the clay surface for joining to pieces of clay. |
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Paddling:
using a paddle to smooth or shape the surface of a pot. |
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Clay
shrinkage: the contraction of clay when it dries. If shrinkage occurs to
quickly the clay will crack or break. |
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Wedge:
to mix up clay with your hands, (knead) to get the air out and mix up the
clay. |

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Container
parts: Lip: the opening, Walls: the
sides, Foot: the base or bottom |
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Sculpture:
3 dimensional art. |
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Relief:
a raised design on a slab. |
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In
the round: To view an artwork from all sides. |
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| Finishes and
glazing |
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| Texture: the
roughness or smoothness of a surface. |
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| Fettle: to smooth
until shiny using a tool. |
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| Sgraffito:
decorative process- to scratch a line through a layer of slip to expose
the contrasting clay below. |
![C2438AH - Brown Over Cream Sgraffito Seed Jar [SOLD]](http://www.adobegallery.com/images/1103389114.jpg) |
| Motif: one unit
of a pattern. |
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| Pattern: many
motifs together. |
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| Tempera: type of
paint that washes with water. |
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| Stain:
to apply a finish, then wipe off most of the material applied
leaving the finish in the cracks and pores. |
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| Wax: a wax coat
that can be put on stained or painted ceramics. |
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| Glaze: glass like
coat, can be painted, dipped, or pored on. Glaze fuses to the pot when
fired. |
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| Flux: a substance
which causes another to melt. Used in glaze. |
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| Dry-foot: no
glaze on the bottom of the pot. |
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| Matte-Shiny:
Matte- dull, no gloss. Shiny-gives off light, reflective, glossy. |
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| Carving: To
remove material by digging into the surface. |
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| Porous-Waterproof:
Porous- to have small holes- not waterproof. |
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| Tools |
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| Kiln: oven for
baking clay that heats to a very hot temperature. |
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| Stilts: prongs
used to lift the clay off the kiln floor. |
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| Cone: small three
sided cone that is placed in the kiln to shut it off. |
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| Plaster bat: a
slab of plaster of paris used to partially dry slip. |
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| Rollers: rolling
pins used to make slabs. |
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| Wedging wire:
wire used to cut plastic clay when wedging. |
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| Canvas:
used under clay to keep the clay from sticking to the table. |
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| Art terms |
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| Realistic: to
produce art that looks, reflects, and imitates the real world. |
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| Abstract: to
simplify or exaggerate shapes to emphasize form. Starts from a real
object. |
.jpg) |
| Non-representational:
to create something that looks abstract, but did not originate from
something real. |
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| Decorative:
ornamental, designed for looks. |
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| Craftsmanship:
The skill and care needed to create. To make some thing well. |
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| Functional: can
be used. Has a useful purpose. |
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| Organic: produced
by nature. Natural, free flowing. |
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| Proportional: the
relation of one thing to another in size, degree, or amount. |
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| Unity: when
several elements are tied or work together as one. |
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| Contrast: when
one element is very different than another.
Black contrasts against white, rough against smooth, and color
against black and white. |
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| Form: to make the
art look 3-d instead of flat. |
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| Positive/negative:
the object is the positive shape and the air and space around it is
negative. |
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| Symmetrical: To
look the same on both sides. |
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| Sculpture
Terms |
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| Additive: To make
sculpture by adding material |
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| Armature: The
framework or skeleton of the artwork. |
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| Assemblage: To
add various materials not typically used in art to a sculpture. |
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| Hole: An are
without material. A void or impression in the sculpture. |
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Space:
The area in and around the object. |
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| Mass: The volume
of the sculpture. The substance weight of the sculpture. |
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| Scale: The
dimensions and proportion of an object. The size of the object. |
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| Subtractive: To
take away from the sculpture. |
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| Free Standing:
Can stand on it’s own without any base or support. |
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